Northeast of Nanchang, China - 200km as the crow flies -
between Poyang Hu and the Anhui border,
JINGDEZHEN
was producing ceramics at least two thousand years
ago, and, despite half-hearted attempts to introduce
new industries, ceramics remain the city's chief
source of income. This is entirely due to local
geography and national politics. Jingdezhen lies in
a river valley rich not only in clay suitable for
firing but also in the feldspar needed to turn it
into
porcelain . When the Ming rulers
developed a taste for fine ceramics in the
fourteenth century, Jingdezhen's location was
conveniently close to the original court at Nanjing.
An
imperial kiln was built in 1369, and its
wares became so highly regarded - "as white as
jade, as thin as paper, as bright as a mirror, as
tuneful as a bell" - that Jingdezhen retained
official favour even after the Ming court shifted to
Beijing fifty years later.
As demand grew, workshops experimented with new glazes
and a classic range of decorative styles emerged: qinghua,
blue and white; jihong, rainbow; doucai,
a blue and white overglaze; and fencai,
multi-coloured famille rose. The first
examples reached Europe in the seventeenth century,
and became so popular that the English word for
China clay - kaolin - derives from its source at Gaoling
, near Jingdezhen. Factories began to specialize in export
ware shaped and decorated in European-approved
forms, which reached the outside world via the
booming Canton markets - the famous Nanking Cargo
, comprising 150,000 pieces salvaged from the 1752
wreck of the Dutch vessel Geldermalsen and
auctioned in 1986, was one such shipment. Foreign
sales on this scale petered out after European
ceramic technologies improved at the end of the
eighteenth century, but Jingdezhen survived by
sacrificing its earlier spirit of innovation for a
more production-line mentality. After a low point
early on in the twentieth century, the industry is
once more on the move, and today Jingdezhen's scores
of private and state-owned kilns employ some fifty
thousand people.